the notebook problem: you see a notebook. you want to buy the notebook. but you know you have like TEN OTHER NOTEBOOKS. most which are STILL EMPTY. you don’t need to notebook. you’re probably not gonna use the notebook anyway. what’s the point? DONT BUY THE NOTEBOOK. you buy the notebook.
Check out this great listen on Audible.com. A BBC Radio six-part adaptation of Neil Gaiman’s best-selling novel, starring James McAvoy as Richard and Natalie Dormer as Door. Beneath the streets of London there is another London. A subterranean labyrinth of sewers and abandoned tube stations. A so…
It’s the Deal of the Day at Audible.com, for just $1.95.
Of course, if you are not in the US, you might have to persuade it that you are by, for example, giving it a US zipcode. Did I say that out loud?
hey guys, i know a lot of people have shared the suicide prevention lifeline number which is really great, but i wanted to remind everyone of this website that does the same, except it’s online. i’m sure there are people who might be more comfortable asking for help this way.
“Commander Vimes didn’t like the phrase ‘The innocent have nothing to fear’, believing the innocent had everything to fear, mostly from the guilty but in the longer term even more from those who say things like ‘The innocent have nothing to fear’.”—Terry Pratchett (via beornwulf)
Commander Vimes might be the literary love of my life.
Quite a number of people seem to be annoyed by the final chapter in the Animorphs story. There are a lot of complaints that I let Rachel die. That I let Visser Three/One live. That Cassie and Jake broke up. That Tobias seems to have been reduced to unexpressed grief. That…
I don’t know why this series keeps popping up in my life, but no really, the first book ends with the main character crying himself to sleep. After a spectacular failure. And I read these books when I was ~7~.
“Romeo can’t really be blamed for Ophelia’s death.”—
Senior English major on a Shakespeare final. (via minininny)
WELL THEY’RE NOT WRONG
How about this, though?
[Editorial Note: This “theory” depends on believing the Romeo and Juliet and Hamlet take place contemporaneously. So, for the sake of argument, let’s all agree that the events of both plays occur in the Spring of 1517 (chosen because of Martin Luther’s 95 Theses, and the Reformational threads that run through Hamlet).]
See, in the Second Quarto and First Folio versions of Romeo and Juliet, a[n extremely minor] character appears with Romeo, Mercutio, and Benvolio at the Capulet’s Party (where, if you recall, Romeo meets Juliet for the first time).
Like Hamlet's Horatio, this Horatio is full of well-worded philosophical advice. He tells Romeo “And to sink in it should you burden love, too great oppression for a tender thing.”
Let’s imagine that Horatio has travelled down from Wittenberg (about 540 miles) to Verona for his Spring Break. He hears about some guys who like to party (because, let’s be honest, besides getting stabbed, partying is Mercutio’s main thing). So, he ends up crashing the Capulet’s ball with them.
He is then on the sidelines as Romeo and Juliet fall in love, Tybalt kills Mercutio, Romeo kills Tybalt, Romeo gets banished, and both lovers are found dead in Juliet’s tomb.
This tragedy fresh in his mind, he returns to Wittenberg at the end of what has turned out to be a decidedly un-radical Spring Break and discovers that his bestie Prince Hamlet is leaving for Elsinore Castle because he’s just gotten news that his father, the King, is dead.
On the trip up (another ~375 miles), Horatio recounts the tragic romance he just witnessed in Verona. He advises (as he is wont to do) Hamlet not to mix love and revenge.
Hamlet takes Horatio’s advice to heart, breaking up with Ophelia so that he can focus is energy on discovering and punishing his father’s killer:
HAMLET Ay, truly; for the power of beauty will sooner transform honesty from what it is to a bawd than the force of honesty can translate beauty into his likeness: this was sometime a paradox, but now the time gives it proof. I did love you once.
Indeed, my lord, you made me believe so.
You should not have believed me; for virtue cannot so inoculate our old stock but we shall relish of it: I loved you not.
Ophelia - burdened by the perceived loss of Hamlet’s love and his murder of her father - goes mad and drowns herself.
You see, if Romeo had waited literally a minute and thirty seconds longer (31 iambic pentametrical lines) - he, Juliet, Ophelia (and possibly the rest of the Hamlet characters) would have made it.